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The Social History of Smoking

George Latimer Apperson

Chapter 3:

Tobacco's a musician,
And in a pipe delighteth,
It descends in a close
Through the organ of the nose
With a relish that inviteth.

These are merely a few examples of both the praise and the abuse which were lavished upon tobacco at this early stage in the history of smoking. It would be easy to fill many pages with the like testimonials and denunciations, especially the latter, from writers of the early decades of the seventeenth century. Perhaps the most curious thing in connexion with the immense number of allusions to smoking in the literature of the period is that there is no mention whatever of tobacco or smoking in the plays of William Shakespeare. As Edmund Spenser, in the "Faerie Queene," speaks of

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The Social History of Smoking

George Latimer Apperson

Chapter 9:

One of the earliest cigar-smokers must have been that remarkable clergyman, the Rev. Charles Caleb Colton, whose "Lacon," published in 1820, was once popular. Colton was in succession Rector of Tiverton and Vicar of Kew, but on leaving Kew became a wine-merchant in Soho. While at Kew he is said to have kept cigars under the pulpit, where, he said, the temperature was exactly right.

At first even cigar-smoking was confined to comparatively few persons, and the social prejudice against tobacco continued unabated. Thackeray significantly makes Rawdon Crawley a smoker—the action of "Vanity Fair" takes place in the first two decades of the nineteenth century. The original smoking-room of the Athenæum Club, which was founded in 1824, the present building being erected in 1830, was a miserable little room, Dr. Hawtree, on behalf of the committee, announcing that "no gentleman smoked." The Oriental Club, when built in 1826-27, contained no smoking-room at all.

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